I created an interface that enabled the visualisation of large amount of information while dealing with art theoretical questions as well. My research concentrated on the definition of artistic practices and the associative process of the beholder. The Nine Billion Name of God.

Made especially for the space of the Kunsthalle, the installation seeks to transpose artistic research into practice by actively involving the viewer. In these works which depend. Means of light controlled by the viewer. It is more like an event that an exhibition. Most part, unable to capture the.

Therefore in order to keep knowledge we have to interact with it. My interactive works are inviting the visitors to explore mino washi paper from a new point of view. Paper itself is one of the main materials of keeping knowledge.

Recreating an experiment from the 17th century was the starting point of my project. The idea and its possibilities focused on three dimensional reflections, but then it was impossible to test the theory. I rebuilt the phenomenon using the latest technological developments, like micro-glass covered telescopic mirrors. Magia Catoptrica, Caput VI.