szvet-installations blogspot.com

collection of installations

The nine billion name of . Was the theme topic of a workshop at the Gerrit Rietveld Academy in Amsterdam, where I started my work. I created an interface that enabled the visualisation of large amount of information while dealing with art theoretical questions as well. My research concentrated on the definition of artistic practices and the associative process of the beholder. The Nine Billion Name of. The Nine Billion Name of God. Gallery Viltin, Budapest 2013. Rietveld Academy Amsterdam 2011.

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collection of installations

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The nine billion name of . Was the theme topic of a workshop at the Gerrit Rietveld Academy in Amsterdam, where I started my work. I created an interface that enabled the visualisation of large amount of information while dealing with art theoretical questions as well. My research concentrated on the definition of artistic practices and the associative process of the beholder. The Nine Billion Name of. The Nine Billion Name of God. Gallery Viltin, Budapest 2013. Rietveld Academy Amsterdam 2011.

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This web page szvet-installations.blogspot.com states the following, "The nine billion name of." We saw that the webpage said " Was the theme topic of a workshop at the Gerrit Rietveld Academy in Amsterdam, where I started my work." It also said " I created an interface that enabled the visualisation of large amount of information while dealing with art theoretical questions as well. My research concentrated on the definition of artistic practices and the associative process of the beholder. The Nine Billion Name of. The Nine Billion Name of God. Gallery Viltin, Budapest 2013."

SEEK SIMILAR DOMAINS

light seance

Made especially for the space of the Kunsthalle, the installation seeks to transpose artistic research into practice by actively involving the viewer. In these works which depend. Means of light controlled by the viewer. It is more like an event that an exhibition. Most part, unable to capture the.

material memory

Therefore in order to keep knowledge we have to interact with it. My interactive works are inviting the visitors to explore mino washi paper from a new point of view. Paper itself is one of the main materials of keeping knowledge.

without material

Recreating an experiment from the 17th century was the starting point of my project. The idea and its possibilities focused on three dimensional reflections, but then it was impossible to test the theory. I rebuilt the phenomenon using the latest technological developments, like micro-glass covered telescopic mirrors. Magia Catoptrica, Caput VI.

The Collective Input

Milyen legyen a műalkotás? Kérem járuljon hozzá egy jelzővel! Munkánk kísérlettétel egy demokratikus műalkotás elkészítésére. A projekt információgyűjtéssel kezdődik a mű milyenségére vonatkozóan. Kérem váljon társalkotóvá és egy jelzővel járuljon hozzá a műalkotás fizikai formájához és szellemi tartalmához. A projekt második fázisa a mű leh.