sjbdigitalcinema blogspot.com

SJB Digital Cinema

Wednesday, May 4, 2011. Self Critique on Hamburger. Overall, more time spent on preparation would have definitely helped when it came to the edit. There are quite a few rough cuts and problems with sound the rain over the past 2 weeks have been killer on the audio quality but there are also many cuts and scenes that I am very proud of. Wednesday, April 20, 2011. Reading of the script with visual aid. The aesthetic use of transitions will not only move the story along further but will also create visual.

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LINKS TO WEB SITE

Amandas Mind

Tuesday, May 3, 2011. I learned a lot about this family. They really helped me to understand the dynamics of a family that cares for a special needs individual. The piece is still going in initial direction that we were aiming to take the piece, but we made some cuts so that other things would not cloud the intent of the piece. I hope you like it! Tuesday, April 19, 2011. Explanation of Theme and Intent.

Digital Cinema Sketchbook

Tuesday, May 3, 2011. This final came from a collaboration with Katie Massey and Trinity Poole. They wanted the idea of a girl running away from home. The only thing I am irked with is the sound.

Catastrophic Craft Factory

Dedicated to process and personal development in putting together my 2011 Senior Show. Tuesday, April 12, 2011. Wednesday, March 9, 2011. As the supposed sum of my experiences. Inching along or roaring downhill. The accretion and momentum of ostensible wisdom. Thus obscuring access to the small nucleus. The ideological spright vitality of youth is fleeting.

Cypress Productions

Saturday, November 19, 2016. Tuesday, April 26, 2011. 1 Tell us your name.

Digital Cinema Sp11

Tuesday, May 3, 2011. Trinity Poole, Katie Massey, Tommy Kha. This film is a series of images and shots of a landscape, it is dark, and there is the hint of human presence but no figures are ever seen, just the aftermath, such as shadows or an empty swing after someone has left it. There is the feeling of being all alone in this darkness, but not quite because someone has just been here or is hiding in that darkness.

Digital Cinema

Tuesday, May 3, 2011. I agree with Trinity that this project definitely took on a life of its own, completely off course of our original intentions. Tuesday, April 19, 2011. Photograph of Land where will be filming. Monday, April 18, 2011.

My Digital Cinema Blog

Wednesday, May 4, 2011. Was it fun? Did I learn anything? Well, we experimented with slowing down and speeding up shots. Our challenges have become more epic, and the plot is absurd. I love it while hating it at the same time. And I think the fact that I accept it is enough for myself. Wednesday, April 20, 2011.

Chris Mays Digital Cinema I

Wednesday, January 26, 2011. In my short, I tackled the issue of sense of place. As my first sense of place that I connect to is my room back home, there I have a plethora of shoes that blanket the walls. Anywhere that I go to they travel with me to help establish the sense of home. Furthermore; in my short film I am viewed upon in front of a computer at school asleep. School is my reason for being here, and even when I am sleep I always come back to my habit.

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SJB Digital Cinema

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Wednesday, May 4, 2011. Self Critique on Hamburger. Overall, more time spent on preparation would have definitely helped when it came to the edit. There are quite a few rough cuts and problems with sound the rain over the past 2 weeks have been killer on the audio quality but there are also many cuts and scenes that I am very proud of. Wednesday, April 20, 2011. Reading of the script with visual aid. The aesthetic use of transitions will not only move the story along further but will also create visual.

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