169; Inês Abreu E Silva photo.

169; Inês Abreu E Silva photo.

169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. The other and how can the other speak through what I am proposing? That involved working with a medium that I am not so familiar with, video also involving the dichotomy between. With a professional video artist.

169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. 2011 NACIONAL MATERIAL - PAISAGEM COM ARGONAUTAS LISBON PORTUGAL. VIDEO TEASER WEB PROMOTIONAL USE.

169; Inês Abreu E Silva photo. The structure is presented, its territory is marked, prepared and illuminated. With an accurate step I go forward, sensing that precise moment and place,. Removing from it the size or portion I need. In that place I leave a space, a space for trying, a space yet to be completed. From the portion I took I shape the form, from that form I acknowledge its meaning, questioning myself. If it is a reference for my questions. Conditioning it so it can.

169; Inês Abreu E Silva photo. Bodies that measure, bodies that mark, which inform, form, construct, extract, and create. Bodies that breathe, bodies that act, bodies that meet, that cross each other, which communicate, that are exposed. Identification is always necessary in order to exist. Our bodies throw themselves into space and time; vision weaves memory, memory that builds reference,.

169; Inês Abreu E Silva photo. 2004 CHECK IN LISBON PORTUGAL. 2004 Estúdio Bomba Suicida, Lisbon Portugal.