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169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. 2011 NACIONAL MATERIAL - PAISAGEM COM ARGONAUTAS LISBON PORTUGAL. VIDEO TEASER WEB PROMOTIONAL USE.
169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. In a organized society, one radical refuse its showed with an escape .
169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time.
169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. 2006 FALL-FIRST DRAW LISBON PORTUGAL. Does an emotional side exist with digital manipulation of the body and its movement? The first idea was to shoot a choreographer on a space dancing with improvisation movements. The work starts on the editing where the artist manipulate the movement re-writing and re-creating a new choreography.
169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. By LARISSA VELEZ NEW YORK CITY USA. Video Art Projected on St. 2010 Danspace Project, NYC.
169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. 2008 LOOKING BACK INTO THE FUTURE LISBON PORTUGAL. This video was made from an invitation from Festa da Dança Event 08. The request was asking me and Rita Natálio to edit a short video with the intention to create a sort of landscape of the contemporary Portuguese dance since. 2008 Adição 08 at Caldas da Rainha, Portugal.
169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. 2010 MAKING ENDS MEET by LARISSA VELEZ NEW YORK CITY USA. Conceived, Choreographed and Performed by. Larissa Velez-Jackson with music by Two Puerto Ricans, a Black Man and a Domican, Charles Ives and Larissa Velez-Jackson.
169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. 2004 ONE STEP AT A TIME LISBON PORTUGAL. One step at a time, is how this film starts and unravels until the end. This work was made thinking about a place where the border between urban and nature exists, a Road-forest. In which she has to confront in this path. Looking for an ideal place for her deep sleep.
169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. 2008 WAILS SAHARA MERZOUGA MOROCCO. 2008 MAN POWER FESTIVAL 1º edição at Re Al , Lisbon, Portugal.
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169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. Fall - First Draw. One step at a Time. 2011 INTERMISSION BERLIN GERMANY. Came out of the desire investigate a working procedure in response to the question How can I speak through. The other and how can the other speak through what I am proposing? That involved working with a medium that I am not so familiar with, video also involving the dichotomy between. With a professional video artist. The comm.CONTENT
This web page ivoserraintermission.blogspot.com states the following, "169; Inês Abreu E Silva photo." We saw that the webpage said " Nacional Material - Paisagem com Argonautas." It also said " Looking Back Into The Future. One step at a Time. Came out of the desire investigate a working procedure in response to the question How can I speak through. The other and how can the other speak through what I am proposing? That involved working with a medium that I am not so familiar with, video also involving the dichotomy between. With a professional video artist."SEEK SIMILAR DOMAINS
169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. 2011 NACIONAL MATERIAL - PAISAGEM COM ARGONAUTAS LISBON PORTUGAL. VIDEO TEASER WEB PROMOTIONAL USE.
169; Inês Abreu E Silva photo. The structure is presented, its territory is marked, prepared and illuminated. With an accurate step I go forward, sensing that precise moment and place,. Removing from it the size or portion I need. In that place I leave a space, a space for trying, a space yet to be completed. From the portion I took I shape the form, from that form I acknowledge its meaning, questioning myself. If it is a reference for my questions. Conditioning it so it can.
169; Inês Abreu E Silva photo. Bodies that measure, bodies that mark, which inform, form, construct, extract, and create. Bodies that breathe, bodies that act, bodies that meet, that cross each other, which communicate, that are exposed. Identification is always necessary in order to exist. Our bodies throw themselves into space and time; vision weaves memory, memory that builds reference,.
169; Inês Abreu E Silva photo. 2004 CHECK IN LISBON PORTUGAL. 2004 Estúdio Bomba Suicida, Lisbon Portugal.
169; Inês Abreu E Silva photo. 2009 4 seasons 4 artists by Real, At Chão de Oliva, Sintra Portugal.