performance on the verge
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169; Inês Abreu E Silva photo.
169; Inês Abreu E Silva photo. The structure is presented, its territory is marked, prepared and illuminated. With an accurate step I go forward, sensing that precise moment and place,. Removing from it the size or portion I need. In that place I leave a space, a space for trying, a space yet to be completed. From the portion I took I shape the form, from that form I acknowledge its meaning, questioning myself. If it is a reference for my questions. Conditioning it so it can.
169; Inês Abreu E Silva photo. Bodies that measure, bodies that mark, which inform, form, construct, extract, and create. Bodies that breathe, bodies that act, bodies that meet, that cross each other, which communicate, that are exposed. Identification is always necessary in order to exist. Our bodies throw themselves into space and time; vision weaves memory, memory that builds reference,.
169; Inês Abreu E Silva photo. 2004 CHECK IN LISBON PORTUGAL. 2004 Estúdio Bomba Suicida, Lisbon Portugal.
169; Inês Abreu E Silva photo. 2009 4 seasons 4 artists by Real, At Chão de Oliva, Sintra Portugal.
169; Inês Abreu E Silva photo. 8220;Urban, statement, reflexion, message, poetry, colours. Memories, existence and identity. Ivo Serra concentrated on the visual aspect of the city.
169; Inês Abreu E Silva photo. 2006 WHEN I FALL LISBON PORTUGAL. Educated by parents and society, from the relation with others, from choices, projects, goals, dreams,. A long life processes in a constant mutation, changing him self and the world that surrounds him.
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Performance on the verge. 169; Inês Abreu E Silva photo. 2007 ON THE VERGE LISBON PORTUGAL. STAGE AND VIDEO PHOTOS. Its a video-performance, based on intensity. Ivo Serra in this piece explores the world of the word, sound and video, creating a trans-disciplinary work. Confronting Becket text I gave up before birth with apnoea technique, Serra suggests a birth, a formation of an identity to pursue a quest for a global soul. Creation, interpretation, video and set design.CONTENT
This web page ivoserraperformontheverge.blogspot.com states the following, "169; Inês Abreu E Silva photo." We saw that the webpage said " 2007 ON THE VERGE LISBON PORTUGAL." It also said " Its a video-performance, based on intensity. Ivo Serra in this piece explores the world of the word, sound and video, creating a trans-disciplinary work. Confronting Becket text I gave up before birth with apnoea technique, Serra suggests a birth, a formation of an identity to pursue a quest for a global soul. Creation, interpretation, video and set design."SEEK SIMILAR DOMAINS
169; Inês Abreu E Silva photo. 2006 WHEN I FALL LISBON PORTUGAL. Educated by parents and society, from the relation with others, from choices, projects, goals, dreams,. A long life processes in a constant mutation, changing him self and the world that surrounds him.
169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. In a organized society, one radical refuse its showed with an escape .
169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time.
169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. 2006 FALL-FIRST DRAW LISBON PORTUGAL. Does an emotional side exist with digital manipulation of the body and its movement? The first idea was to shoot a choreographer on a space dancing with improvisation movements. The work starts on the editing where the artist manipulate the movement re-writing and re-creating a new choreography.
169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. By LARISSA VELEZ NEW YORK CITY USA. Video Art Projected on St. 2010 Danspace Project, NYC.