ivoserraperformgraffiti blogspot.com

performance graffiti

169; Inês Abreu E Silva photo. 2005 GRAFFITI NOTTINGHAM UK. STAGE AND VIDEO STILLS. 8220;Urban, statement, reflexion, message, poetry, colours. Nottingham as a graffiti in video, words and sound. Graffiti is a video with a live speech, it shows the process to get to an abstracted drawing of the city seen using video techniques, reflecting present, past, future,. Memories, existence and identity. Ivo Serra concentrated on the visual aspect of the city. T ; PHOTOGRAPH. Ivo Serra e Sttiga.

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performance

169; Inês Abreu E Silva photo.

performance baltazar

169; Inês Abreu E Silva photo. The structure is presented, its territory is marked, prepared and illuminated. With an accurate step I go forward, sensing that precise moment and place,. Removing from it the size or portion I need. In that place I leave a space, a space for trying, a space yet to be completed. From the portion I took I shape the form, from that form I acknowledge its meaning, questioning myself. If it is a reference for my questions. Conditioning it so it can.

performance canvas

169; Inês Abreu E Silva photo. Bodies that measure, bodies that mark, which inform, form, construct, extract, and create. Bodies that breathe, bodies that act, bodies that meet, that cross each other, which communicate, that are exposed. Identification is always necessary in order to exist. Our bodies throw themselves into space and time; vision weaves memory, memory that builds reference,.

performance check in

169; Inês Abreu E Silva photo. 2004 CHECK IN LISBON PORTUGAL. 2004 Estúdio Bomba Suicida, Lisbon Portugal.

performance forward

169; Inês Abreu E Silva photo. 2009 4 seasons 4 artists by Real, At Chão de Oliva, Sintra Portugal.

performance on the verge

169; Inês Abreu E Silva photo. 2007 ON THE VERGE LISBON PORTUGAL. Ivo Serra in this piece explores the world of the word, sound and video, creating a trans-disciplinary work. Creation, interpretation, video and set design.

performnace when i fall

169; Inês Abreu E Silva photo. 2006 WHEN I FALL LISBON PORTUGAL. Educated by parents and society, from the relation with others, from choices, projects, goals, dreams,. A long life processes in a constant mutation, changing him self and the world that surrounds him.

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performance graffiti

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169; Inês Abreu E Silva photo. 2005 GRAFFITI NOTTINGHAM UK. STAGE AND VIDEO STILLS. 8220;Urban, statement, reflexion, message, poetry, colours. Nottingham as a graffiti in video, words and sound. Graffiti is a video with a live speech, it shows the process to get to an abstracted drawing of the city seen using video techniques, reflecting present, past, future,. Memories, existence and identity. Ivo Serra concentrated on the visual aspect of the city. T ; PHOTOGRAPH. Ivo Serra e Sttiga.

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This web page ivoserraperformgraffiti.blogspot.com states the following, "169; Inês Abreu E Silva photo." We saw that the webpage said " 8220;Urban, statement, reflexion, message, poetry, colours." It also said " Nottingham as a graffiti in video, words and sound. Graffiti is a video with a live speech, it shows the process to get to an abstracted drawing of the city seen using video techniques, reflecting present, past, future,. Memories, existence and identity. Ivo Serra concentrated on the visual aspect of the city."

SEEK SIMILAR DOMAINS

performance on the verge

169; Inês Abreu E Silva photo. 2007 ON THE VERGE LISBON PORTUGAL. Ivo Serra in this piece explores the world of the word, sound and video, creating a trans-disciplinary work. Creation, interpretation, video and set design.

performnace when i fall

169; Inês Abreu E Silva photo. 2006 WHEN I FALL LISBON PORTUGAL. Educated by parents and society, from the relation with others, from choices, projects, goals, dreams,. A long life processes in a constant mutation, changing him self and the world that surrounds him.

video art anacho

169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. In a organized society, one radical refuse its showed with an escape .

video art oannes

169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time.

videoart fall first draw

169; Inês Abreu E Silva photo. Nacional Material - Paisagem com Argonautas. Looking Back Into The Future. One step at a Time. 2006 FALL-FIRST DRAW LISBON PORTUGAL. Does an emotional side exist with digital manipulation of the body and its movement? The first idea was to shoot a choreographer on a space dancing with improvisation movements. The work starts on the editing where the artist manipulate the movement re-writing and re-creating a new choreography.