Female sexuality in horror film. The heart of cinematic horror lies a fear of female sexuality. The genre defines female sexuality as monstrous, disturbing and in the need of repression. Stephen Neale argues that horror film monsters predominantly defined as male, with women as primary victims.

Was a platform for MA Visual Art students to show their practice outside of the university and in a gallery environment. The exhibition was displayed at the Surface Gallery between 1-5 May 2007 and was curated by Lucy Stevens and Cat Preston. For part of the MA Fine Art course one of my assessment outcomes will be to produce a document that describes my experiences of curating Transition exhibition. With Eric Rosoman, Offiste Curator for The City Gallery, Leicester. Transition set up and curation.

Was created using four CCTV cameras positioned in 4 different rooms of my house. I purchased a four way USB adaptor that could connect to 4 CCTV cameras and record simultaneously. The short video shows an ambigious narrative that plays on the issues of intrusive voyeurism via a CCTV camera and paranoia through being watched.

The Language of Fear in film. Examining spectator reaction to film. These particular film genres are remarkable at communicating psychological suspense creating anxiety amongst the audience. By looking at these vital moments in horror movies I hope to be able to investigate how fear can be induced and convert these ideas to my practice. The language of Fear in horror movies.

To find more effective techniques of communicating a notion of personal fear through my current practice. To explore a range of digital technologies to find the most relevant and immersive medium for my practice. Investigate other artists working in similar fields and examine their work, comparing and contrasting it with my own.

Artwork produced using binaural audio technology. My practice has become site specific due to the technique of recording binaural audio. It is important that the sound is gathered on site and reflects the environment and the events that take place. The MA Visual Arts group will be exhibiting work at the Arts Organisation from. 23 July- 4 August 2007. MA Exposition, Nottingham Trent University. The Sound of the Playhouse.

Sound has the ability to confound assumptions about time and space. Binaural recordings are so realistic to human hearing that the effects can be startling, hilarious and even frightening. The results offer a unique and intimate 360- degree experience that has the capability to converge and diverge fiction and reality. Practice in order of most recent. The Language of fear in film.

Travels in Hyper reality by Umberto Eco. 8221;Disneyland makes it clear that within its magic enclosure it is fantasy that is absolutely reproduced. It is this statement that fuels the entire journey and the book regarding the way contemporary culture is now full of re-creations and themed environments. Edmund Burke A Philosophical Enquiry into the Origin of our ideas of the Sublime and Beautiful.