artoftimlittle-li blogspot.com

Li Production Blog

Live action production was spearheaded by. Using a stereoscopic beam splitter rig and dual RED One cameras at DePaul Universitys East Jackson soundstage as well as various locations around the Chicago area. The film runs approximately 25 minutes long and is intended to be the concept pitch for an eventual feature film. During production I served as a Visual FX Supervisor and now, during post production, I am responsible for developing the stereoscopic visual effects workflow. Friday, September 10, 2010.

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The story is told through sit down interview sessions with Mark and documentary footage of their life together.

Snails Production Blog

The extraordinary love story of two extra-ordinary snails. Thursday, November 25, 2010. This is a working cut of the film with postvis CG elemements to demonstrate the central concept and story. Friday, November 19, 2010. Tuesday, November 16, 2010. Monday, November 15, 2010. Another matchmove, this time without any focal shenanigans.

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Li Production Blog

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Live action production was spearheaded by. Using a stereoscopic beam splitter rig and dual RED One cameras at DePaul Universitys East Jackson soundstage as well as various locations around the Chicago area. The film runs approximately 25 minutes long and is intended to be the concept pitch for an eventual feature film. During production I served as a Visual FX Supervisor and now, during post production, I am responsible for developing the stereoscopic visual effects workflow. Friday, September 10, 2010.

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This web page artoftimlittle-li.blogspot.com states the following, "Live action production was spearheaded by." We saw that the webpage said " Using a stereoscopic beam splitter rig and dual RED One cameras at DePaul Universitys East Jackson soundstage as well as various locations around the Chicago area." It also said " The film runs approximately 25 minutes long and is intended to be the concept pitch for an eventual feature film. During production I served as a Visual FX Supervisor and now, during post production, I am responsible for developing the stereoscopic visual effects workflow. Friday, September 10, 2010."

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