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Live action production was spearheaded by. The film runs approximately 25 minutes long and is intended to be the concept pitch for an eventual feature film. During production I served as a Visual FX Supervisor and now, during post production, I am responsible for developing the stereoscopic visual effects workflow. Friday, September 10, 2010.
The extraordinary love story of two extra-ordinary snails. Thursday, November 25, 2010. This is a working cut of the film with postvis CG elemements to demonstrate the central concept and story. Friday, November 19, 2010. Tuesday, November 16, 2010. Monday, November 15, 2010. Another matchmove, this time without any focal shenanigans.
Saturday, April 14, 2012. Thursday, May 5, 2011. Friday, February 11, 2011.
Live action production was spearheaded by. The film runs approximately 25 minutes long and is intended to be the concept pitch for an eventual feature film. During production I served as a Visual FX Supervisor and now, during post production, I am responsible for developing the stereoscopic visual effects workflow. Friday, September 10, 2010.
The extraordinary love story of two extra-ordinary snails. Thursday, November 25, 2010. This is a working cut of the film with postvis CG elemements to demonstrate the central concept and story. Friday, November 19, 2010. Tuesday, November 16, 2010. Monday, November 15, 2010. Another matchmove, this time without any focal shenanigans.
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