PAINTINGS 1965-2005

ROTACION 1998 pencil on acrylic on plywood 122x122. Private coll. Oslo. 1997 WATER, large painting, acrylic on canvas, installed at The National Environmental Protection Agency NEPA in Beijing as a gift from The Norwegian State. HOT BLOOD SPOT I 1987 acrylic on plywood 122x122cm. HOT BLOOD SPOT II 1987 acrylic on plywood 122x122cm. ARIA 1987 acrylic on plywood 122x122cm. ARIA-ACQUA 1987 acrylic on plywood, 2 panels 122x122 cm each. THE GARDEN OF GESUALDO 1987 122x244cm. AGGREGAT I, acrylic on canvas.

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MORE SERIES OF DRAWINGS

Where to show all the drawings in my drawers. galleries are to small for them all. - I like to leave the work open for new and further interpretation. These drawings represent intermediary stages of a never-ending process. Sunday, November 29, 2009. Thursday, September 21, 2006. 1983 drawing with a screwdriver in wet acrylic on plywood. 2006 drawings on plywood 61x61cm. Thursday, March 23, 2006. Thursday, March 02, 2006. Friday, July 15, 2005. THE NO RESISTANCE SET 1-15 JULY 2005.

SERIES OF DRAWINGS

PRESENTING THE DIVERSITY OF NEW AND OLD DRAWINGS THAT ARE FILLING MY DRAWERS. - I WANT TO SHOW THEM SOMEWHERE AND GALLERIES ARE NOT BIG ENOUGH. - I like to leave the work open for new and further interpretation so that the onlooker himself may continue the development of forms and lines. In that way a creative interaction is initiated. These drawings represent intermediary stages of a never-ending process. CIRISS 2006 on plywood 61x61 cm. Drawings FURIAS Y PENAS 1974. 1974 from the series of BODEGONES.

LINE ART SPOT

SEVERAL SERIES OF DRAWINGS FROM 50 YEARS OF PRACTICE. 20111007 acrylic, marker, pencil, filler on plywood 40x60,8 cm. 42x60,8 cm acrylic and pencil on plywood. Events in a Bubble Chamber. 1983 drawing with a screwdriver in wet acrylic on plywood.

INSTABLE VARIABLES

The installations are improvised in the corner of my studio and last only for a few shots with a digital camera from different positions. Instable variable, summer 2000. When a new experiment is started. I like to build and rebuild; to form structures and let them develop freely, see them succumb spontaneously and then re-emerge as totally different systems. Instable variable, summer 2000.

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PAINTINGS 1965-2005

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ROTACION 1998 pencil on acrylic on plywood 122x122. Private coll. Oslo. 1997 WATER, large painting, acrylic on canvas, installed at The National Environmental Protection Agency NEPA in Beijing as a gift from The Norwegian State. HOT BLOOD SPOT I 1987 acrylic on plywood 122x122cm. HOT BLOOD SPOT II 1987 acrylic on plywood 122x122cm. ARIA 1987 acrylic on plywood 122x122cm. ARIA-ACQUA 1987 acrylic on plywood, 2 panels 122x122 cm each. THE GARDEN OF GESUALDO 1987 122x244cm. AGGREGAT I, acrylic on canvas.

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This web page yelart.blogspot.com states the following, "ROTACION 1998 pencil on acrylic on plywood 122x122." We saw that the webpage said " 1997 WATER, large painting, acrylic on canvas, installed at The National Environmental Protection Agency NEPA in Beijing as a gift from The Norwegian State." It also said " HOT BLOOD SPOT I 1987 acrylic on plywood 122x122cm. HOT BLOOD SPOT II 1987 acrylic on plywood 122x122cm. ARIA 1987 acrylic on plywood 122x122cm. ARIA-ACQUA 1987 acrylic on plywood, 2 panels 122x122 cm each. THE GARDEN OF GESUALDO 1987 122x244cm. AGGREGAT I, acrylic on canvas."

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