wujianzhong blogspot.com

WU JIANZHONG

星期二, 8月 04, 2015. 新加坡的烏敏島風光他們的海邊風景有點眼熟跟香港某些地方的相近這張小水彩26x26cm基本上以一支大筆從頭畫到尾最後用中式勾线筆強調了一些形狀 畫水彩我依然追求簡單輕鬆的感覺乾淨透明的畫面自然景物依然是我首選 標籤 Hong Kong. 星期六, 7月 04, 2015. 對於描繪荷花我想起嶺南派畫家趙少昂他筆下的荷花特別好看一筆一劃或濃或淡趙少昂我覺得他的小畫畫得最好越小張越好看 描繪荷花泰國的少女水彩畫家Supmanee Chai的觀察與我相近在荷葉中的紋路她是留白的比葉子本身要淺色我觀察到的也是這樣的她也酷愛描繪自然於是看她的作品總有著無限同感親切 以下是我的一張近作來自南生圍某魚塘邊的一大盤荷花旁邊還有個兵馬俑守著這盤葉子我從它開花期待它枯萎每個階段我都畫過 星期一, 6月 22, 2015. 星期四, 5月 28, 2015. Http issuu.comwujianzhongdocstai o - hongkong1. 標籤 Hong Kong. 星期二, 4月 21, 2015.

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WU JIANZHONG

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星期二, 8月 04, 2015. 新加坡的烏敏島風光他們的海邊風景有點眼熟跟香港某些地方的相近這張小水彩26x26cm基本上以一支大筆從頭畫到尾最後用中式勾线筆強調了一些形狀 畫水彩我依然追求簡單輕鬆的感覺乾淨透明的畫面自然景物依然是我首選 標籤 Hong Kong. 星期六, 7月 04, 2015. 對於描繪荷花我想起嶺南派畫家趙少昂他筆下的荷花特別好看一筆一劃或濃或淡趙少昂我覺得他的小畫畫得最好越小張越好看 描繪荷花泰國的少女水彩畫家Supmanee Chai的觀察與我相近在荷葉中的紋路她是留白的比葉子本身要淺色我觀察到的也是這樣的她也酷愛描繪自然於是看她的作品總有著無限同感親切 以下是我的一張近作來自南生圍某魚塘邊的一大盤荷花旁邊還有個兵馬俑守著這盤葉子我從它開花期待它枯萎每個階段我都畫過 星期一, 6月 22, 2015. 星期四, 5月 28, 2015. Http issuu.comwujianzhongdocstai o - hongkong1. 標籤 Hong Kong. 星期二, 4月 21, 2015.

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This web page wujianzhong.blogspot.com states the following, "星期二, 8月 04, 2015." We saw that the webpage said " 新加坡的烏敏島風光他們的海邊風景有點眼熟跟香港某些地方的相近這張小水彩26x26cm基本上以一支大筆從頭畫到尾最後用中式勾线筆強調了一些形狀 畫水彩我依然追求簡單輕鬆的感覺乾淨透明的畫面自然景物依然是我首選 標籤 Hong Kong." It also said " 星期六, 7月 04, 2015. 對於描繪荷花我想起嶺南派畫家趙少昂他筆下的荷花特別好看一筆一劃或濃或淡趙少昂我覺得他的小畫畫得最好越小張越好看 描繪荷花泰國的少女水彩畫家Supmanee Chai的觀察與我相近在荷葉中的紋路她是留白的比葉子本身要淺色我觀察到的也是這樣的她也酷愛描繪自然於是看她的作品總有著無限同感親切 以下是我的一張近作來自南生圍某魚塘邊的一大盤荷花旁邊還有個兵馬俑守著這盤葉子我從它開花期待它枯萎每個階段我都畫過 星期一, 6月 22, 2015. 星期四, 5月 28, 2015. 星期二, 4月 21, 2015."

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