walkingkkh blogspot.com

Walking Critique KKH Kritika koja hoda

Walking Critique KKH Kritika koja hoda. Sunday, October 12, 2008. More or Less Infinity. More or Less Infinity. Aurleian Bory and Phil Soltanoff. Written by Nataša Tepavčević. In the first part of the performance, a line made of plastic hose, a thread and light effects dances-draws on its own, while in the second part it becomes accompanied by actors-acrobats whose shapes are dematerialized by their stage movements. We are aware of the fact that gestures always belong to politics as well as to aestheti.

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kritika koja hoda KKH

Thursday, January 15, 2009. Izbor iz kritika polaznike Škole za teoriju i kritiku izvođačkih umetnosti KKH Kritika koja hoda, objavljen je u novom broju časopisa SCENA. Thursday, October 16, 2008. Prvi saučesnik u interpretaciji, uobličenju dèla od strane svakog prisutnog pojedinca, zasigur.

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Walking Critique KKH Kritika koja hoda

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Walking Critique KKH Kritika koja hoda. Sunday, October 12, 2008. More or Less Infinity. More or Less Infinity. Aurleian Bory and Phil Soltanoff. Written by Nataša Tepavčević. In the first part of the performance, a line made of plastic hose, a thread and light effects dances-draws on its own, while in the second part it becomes accompanied by actors-acrobats whose shapes are dematerialized by their stage movements. We are aware of the fact that gestures always belong to politics as well as to aestheti.

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This web page walkingkkh.blogspot.com states the following, "Walking Critique KKH Kritika koja hoda." We saw that the webpage said " Sunday, October 12, 2008." It also said " Aurleian Bory and Phil Soltanoff. In the first part of the performance, a line made of plastic hose, a thread and light effects dances-draws on its own, while in the second part it becomes accompanied by actors-acrobats whose shapes are dematerialized by their stage movements. We are aware of the fact that gestures always belong to politics as well as to aestheti."

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