theremarkablegarland blogspot.com

The Burning Inn

S U S A N P U R D Y and a contemporary darkroom practice. Sunday, September 7, 2014. She walks these hills in a long black veil. She visits my grave when the night winds wail. Nobody knows, nobody sees. Nobody knows but me . . My work responds to serious. Current environmental events, while being deeply engaged with the history of the. Using a base layer of camera-less photographs made not taken, I have. Employed various historical techniques and approaches, particularly collage. Bringing together my .

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An abstract epiphany Deborah Milligan

Come on a journey through my art-making as I seek inspiration and delight through people, art and ideas. Sunday, September 11, 2011. I told you there were cows in the country. I was driving home after a few days in the city for work - admiring the green pastures and rolling hills and thinking how glad I was that I had moved to the country, when I drove into Cowwarr.

sermon for a bird

Friday, July 11, 2014. An oyster shell-coloured sky today - sheets of water all about and it seems a far cry from the dry we had only a few years ago. Anything left out overnight is filled with rain. Wednesday, July 9, 2014.

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The Burning Inn

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S U S A N P U R D Y and a contemporary darkroom practice. Sunday, September 7, 2014. She walks these hills in a long black veil. She visits my grave when the night winds wail. Nobody knows, nobody sees. Nobody knows but me . . My work responds to serious. Current environmental events, while being deeply engaged with the history of the. Using a base layer of camera-less photographs made not taken, I have. Employed various historical techniques and approaches, particularly collage. Bringing together my .

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This web page theremarkablegarland.blogspot.com states the following, "S U S A N P U R D Y and a contemporary darkroom practice." We saw that the webpage said " Sunday, September 7, 2014." It also said " She walks these hills in a long black veil. She visits my grave when the night winds wail. Nobody knows, nobody sees. Nobody knows but me . My work responds to serious. Current environmental events, while being deeply engaged with the history of the. Using a base layer of camera-less photographs made not taken, I have. Employed various historical techniques and approaches, particularly collage."

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