Todos artistas y otras ciberpuñetas

Todos artistas y otras ciberpuñetas. Blog de Miguel Tapia Alcaraz. Escribir, para qué? Nadie entendió entonces por qué Nabónides daba la espalda a la supervivencia del imperio para dedicar sus últimos esfuerzos a asegurarle un futuro escrito. Difícil conocer también hoy sus razones, pero imagino pocos motivos más nobles para escribir salvar la propia memoria del olvido y la destrucción. No es banal la lucha contra lo pasajero. Se trata de un enfrentamiento con lo eterno ausente, con lo inasible, lo.

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Cuaderno de Oswaldo Zavala

Ensayos académicos, artículos periodísticos, ficción y notas sobre literatura, cine y arte. Lunes, septiembre 01, 2014. Nuevo artículo sobre narconarrativas en Comparative Literature. Acaba de aparecer mi artículo Imagining the U. De Víctor Hugo Rascón Banda, 2666. De Roberto Bolaño, The Power of the Dog. De Don Winslow y Down by the River. Domingo, agosto 03, 2014.

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Todos artistas y otras ciberpuñetas

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Todos artistas y otras ciberpuñetas. Blog de Miguel Tapia Alcaraz. Escribir, para qué? Nadie entendió entonces por qué Nabónides daba la espalda a la supervivencia del imperio para dedicar sus últimos esfuerzos a asegurarle un futuro escrito. Difícil conocer también hoy sus razones, pero imagino pocos motivos más nobles para escribir salvar la propia memoria del olvido y la destrucción. No es banal la lucha contra lo pasajero. Se trata de un enfrentamiento con lo eterno ausente, con lo inasible, lo.

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This web page tayoc.blogspot.com states the following, "Blog de Miguel Tapia Alcaraz." We saw that the webpage said " Escribir, para qué? Nadie entendió entonces por qué Nabónides daba la espalda a la supervivencia del imperio para dedicar sus últimos esfuerzos a asegurarle un futuro escrito." It also said " Difícil conocer también hoy sus razones, pero imagino pocos motivos más nobles para escribir salvar la propia memoria del olvido y la destrucción. No es banal la lucha contra lo pasajero. Se trata de un enfrentamiento con lo eterno ausente, con lo inasible, lo."

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