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新思惟人文空間 Sincewell Gallery

壯麗的自然山水景色成就中國山水畫回到四處環海的島嶼海洋成為楊宗穎表現臺灣藝術特色的題材 受到蒙得里安影響楊宗穎以海洋為面時間為軸線放棄一切有形或無形的自然造型以純粹意識運用幾何線條與色彩構成或平行或交疊的線條作為他的繪畫語言與個人有關聯的所有一切如深層的情緒對於海的記憶人與自然行為的思考 . 等以直線的型態被捲入時間軸的時間性當中彼此互相連結牽引 喜愛釣魚的他浸潤海風鹹味的同時觀察海洋多變的美如同他的作品使用壓克力彩薄塗. 以喻海洋潔淨的本質或出現水墨渲染技法以達海洋的翻湧與深藏 觀賞他的作品有著如大海般 沉潛而深邃的平和透過他獨特而有韻致的藝術語言帶領我們潛入哲學性的思考模式 . 亞特蘭大 Portfolio Center. 就讀於紐約 New York Studio School. 12300; The Space In Between Space. 12301;聯展子宮藝文空間高雄. 12300;白屋開幕聯展白屋藝廊高雄. 12300;臺中港區美術大展 . 新思惟人文空間 Sincewell Gallery . 營運至今1.

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新思惟人文空間 Sincewell Gallery

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壯麗的自然山水景色成就中國山水畫回到四處環海的島嶼海洋成為楊宗穎表現臺灣藝術特色的題材 受到蒙得里安影響楊宗穎以海洋為面時間為軸線放棄一切有形或無形的自然造型以純粹意識運用幾何線條與色彩構成或平行或交疊的線條作為他的繪畫語言與個人有關聯的所有一切如深層的情緒對於海的記憶人與自然行為的思考 . 等以直線的型態被捲入時間軸的時間性當中彼此互相連結牽引 喜愛釣魚的他浸潤海風鹹味的同時觀察海洋多變的美如同他的作品使用壓克力彩薄塗. 以喻海洋潔淨的本質或出現水墨渲染技法以達海洋的翻湧與深藏 觀賞他的作品有著如大海般 沉潛而深邃的平和透過他獨特而有韻致的藝術語言帶領我們潛入哲學性的思考模式 . 亞特蘭大 Portfolio Center. 就讀於紐約 New York Studio School. 12300; The Space In Between Space. 12301;聯展子宮藝文空間高雄. 12300;白屋開幕聯展白屋藝廊高雄. 12300;臺中港區美術大展 . 新思惟人文空間 Sincewell Gallery . 營運至今1.

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This web page sincewell.blogspot.com states the following, "就讀於紐約 New York Studio School." We saw that the webpage said " 12300; The Space In Between Space."

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