simoncooper-merricksbeach blogspot.com

SIMON COOPER

Merricks beach house installation. Memory, Dwelling, Ruins the House at 26 Surf St. Amidst all this containment however, reside anxiety, contradiction, and the threat of entropy. No wonder then that Freuds term the uncanny the unsettling leaking of the strange into the realm of the familiar, stems from the German unheimlich. In the late 1920s Walter Benjamin had discovered a liberatory energy in the Surrealist use of objects and things that were culturally designated as obsolete. Poised .The hou.

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LINKS TO WEB SITE

CAMERON ROBBINS

This spectral theme revealed itself more manifestly in the rear bedroom, where Cameron Robbins had cleared the space of all objects to create a vortex like phenomena though the use of a smoke machine and carefully manipulated flows of air. Read more by Simon Cooper. VIDEOS - Click image to launch.

CAMBELL DRAKE JAMES CAREY

Artists Campbell Drake and James Carey had reworked part of the roof and left the rest intact, creating an ambiguous relation between figure and ground. Read more by Simon Cooper.

MARTIN HODGE

Read more by Simon Cooper.

MATT MORROW

If many of the previous interventions within the house site were able to use its materials to reveal the uncanny, the project by Matt Morrow. Read more by Simon Cooper.

MAUDE BRADY

Maude Brady located her work at the end of a corridor within the confines of a small cupboard. Read more by Simon Cooper. VIDEO - Click on image to launch! .

ROBBIE ROWLANDS

Inside the house, sculptor Robbie Rowlands had reworked the kitchen area. Rowlands had cut a cross-like groove into the floor, peeling away the section of wood but leaving it attached to the floor so that the flat surface was now occupied by a sensuous curved object that was both separate and connected to it. Read more by Simon Cooper. VIDEOS - Click on image to launch! .

SUSAN JACOBS

Susan Jacobs work seemed suspended between form and the entropic liberation of matter. Read more by Simon Cooper. VIDEO - Click on image to launch! .

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SIMON COOPER

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Merricks beach house installation. Memory, Dwelling, Ruins the House at 26 Surf St. Amidst all this containment however, reside anxiety, contradiction, and the threat of entropy. No wonder then that Freuds term the uncanny the unsettling leaking of the strange into the realm of the familiar, stems from the German unheimlich. In the late 1920s Walter Benjamin had discovered a liberatory energy in the Surrealist use of objects and things that were culturally designated as obsolete. Poised .The hou.

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This web page simoncooper-merricksbeach.blogspot.com states the following, "Memory, Dwelling, Ruins the House at 26 Surf St." We saw that the webpage said " Amidst all this containment however, reside anxiety, contradiction, and the threat of entropy." It also said " No wonder then that Freuds term the uncanny the unsettling leaking of the strange into the realm of the familiar, stems from the German unheimlich. In the late 1920s Walter Benjamin had discovered a liberatory energy in the Surrealist use of objects and things that were culturally designated as obsolete."

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