sfip-project blogspot.com

Still Fighting Ignorance Intellectual Perfidy

Friday, 3 April 2015. South African Art critic and writer. Are their presences registered, ambiguously, in the gestures, and repetitions we see? When Kisito Assangni asked me to write for this exhibition I was first of all compelled by the title he chose STILL FIGHTING IGNORANCE AND INTELLECTUAL PERFIDY. My text is a conversation with this title. It is also a dialogue with this idea of video art that is African. What does this all mean? To quote from the text I wrote for Kisito Why is it that .

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Still Fighting Ignorance Intellectual Perfidy

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Friday, 3 April 2015. South African Art critic and writer. Are their presences registered, ambiguously, in the gestures, and repetitions we see? When Kisito Assangni asked me to write for this exhibition I was first of all compelled by the title he chose STILL FIGHTING IGNORANCE AND INTELLECTUAL PERFIDY. My text is a conversation with this title. It is also a dialogue with this idea of video art that is African. What does this all mean? To quote from the text I wrote for Kisito Why is it that .

CONTENT

This web page sfip-project.blogspot.com states the following, "South African Art critic and writer." We saw that the webpage said " Are their presences registered, ambiguously, in the gestures, and repetitions we see? When Kisito Assangni asked me to write for this exhibition I was first of all compelled by the title he chose STILL FIGHTING IGNORANCE AND INTELLECTUAL PERFIDY." It also said " My text is a conversation with this title. It is also a dialogue with this idea of video art that is African. What does this all mean? To quote from the text I wrote for Kisito Why is it that ."

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