searingcritique blogspot.com

A Searing Critique.

A poorly punned blog reflecting on LAs modern art scene. Wednesday, November 25, 2009. Urs Fischer The Surreal Becomes Personal. Urs Fischer The Surreal Becomes Personal. Wednesday, November 11, 2009. The Ambiguous Identity Danica Phelps at the Kathryn Brennan Gallery. The visitor does not know. Just as Sharon Mizota points out, the gallery guest is aware of the passage of time. Little else is addressed. Wednesday, October 21, 2009. A Superficial Critique Musings on the Façade of the New Museum.

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Views of Los Angeles

Thursday, November 26, 2009. And therefore technically does not fit within the scope of this blog. However, while at home in. An exhibition of Chuck Close prints currently showing at the San Jose Museum of Modern Art. Over the last 40 years, Clo.

Rips on Art

Wednesday, December 2, 2009. I wrote up this review for a short exploratory paper about an LA art event for Prof. I was particularly intrigued by a photographic work by Hamra Abbas entitled Paradise Bath. Is a successful show in that it showcases provocative, avant-garde work by artists who.

L.A. Art Con Tempo

Wednesday, December 16, 2009. The Constant Struggle to Fight the Museum. Graffiti was barely mentioned when speaking of artists attempt to rebel against the museum. The MOCA is hosting one of its largest shows in celebration of its 30 years as an arts institution. The show is taking place at both their Grant location and at the Geffen Contemporary at MOCA.

Doomed to Obscurity

An exploration of the Contemporary Art scene in Los Angeles and beyond. Thursday, December 10, 2009. This exhibition was definitely an experiment in post-modernism. The Mask of Red Death. For example, The Mask of Red Death. Another work that was very thought provoking was Kiss of Death. Tuesday, November 17, 2009.

Strictly ARTness in

Tuesday, November 17, 2009. asp? Thursday, November 12, 2009. One dominant installation that could define the whole show is.

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A Searing Critique.

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A poorly punned blog reflecting on LAs modern art scene. Wednesday, November 25, 2009. Urs Fischer The Surreal Becomes Personal. Urs Fischer The Surreal Becomes Personal. Wednesday, November 11, 2009. The Ambiguous Identity Danica Phelps at the Kathryn Brennan Gallery. The visitor does not know. Just as Sharon Mizota points out, the gallery guest is aware of the passage of time. Little else is addressed. Wednesday, October 21, 2009. A Superficial Critique Musings on the Façade of the New Museum.

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This web page searingcritique.blogspot.com states the following, "A poorly punned blog reflecting on LAs modern art scene." We saw that the webpage said " Wednesday, November 25, 2009." It also said " Urs Fischer The Surreal Becomes Personal. Urs Fischer The Surreal Becomes Personal. Wednesday, November 11, 2009. The Ambiguous Identity Danica Phelps at the Kathryn Brennan Gallery. The visitor does not know. Just as Sharon Mizota points out, the gallery guest is aware of the passage of time. Wednesday, October 21, 2009. A Superficial Critique Musings on the Façade of the New Museum."

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