ricardohinostrozamoreno blogspot.com

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Lunes, 10 de agosto de 2015. 10Cosas Ferdinand de Saussure, el padre de la lingüística moderna - PUCP. Ricardo Antonio Hinostroza Moreno. Ricardo Antonio Hinostroza Moreno. Sábado, 8 de agosto de 2015. Taller de metodologías del inglés BCTF Lima. Interesting Workshop where many teachers could get new and practical information about teaching English. From Tuesday to Saturday we learnt about Lesson planning, some Games, Cognitive approach, Learning and Teaching issues among others. Ver todo mi perfil.

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Richi comenta

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Lunes, 10 de agosto de 2015. 10Cosas Ferdinand de Saussure, el padre de la lingüística moderna - PUCP. Ricardo Antonio Hinostroza Moreno. Ricardo Antonio Hinostroza Moreno. Sábado, 8 de agosto de 2015. Taller de metodologías del inglés BCTF Lima. Interesting Workshop where many teachers could get new and practical information about teaching English. From Tuesday to Saturday we learnt about Lesson planning, some Games, Cognitive approach, Learning and Teaching issues among others. Ver todo mi perfil.

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This web page ricardohinostrozamoreno.blogspot.com states the following, "Lunes, 10 de agosto de 2015." We saw that the webpage said " 10Cosas Ferdinand de Saussure, el padre de la lingüística moderna - PUCP." It also said " Sábado, 8 de agosto de 2015. Taller de metodologías del inglés BCTF Lima. Interesting Workshop where many teachers could get new and practical information about teaching English. From Tuesday to Saturday we learnt about Lesson planning, some Games, Cognitive approach, Learning and Teaching issues among others."

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É o que o título do blog diz. Mete aí o que vc quiser. Taubaté, SP, Brazil. Sábado, agosto 08, 2015. Sábado, julho 18, 2015. Quarta-feira, julho 15, 2015. Sábado, dezembro 13, 2014. Sábado, agosto 24, 2013. Quinta-feira, julho 25, 2013. Terça-feira, junho 18, 2013.

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As Robert Smithson wrote, allegory can be anything. My work explores slightly damaged people fragility, and human frailties. Allegory is a vocabulary of hints. Close relatives but not quite the same thing. The viewer and collector should come away from my work with hints of discomfiture and suggestion, with the insight that some buttons are being pushed. I broadly classify my work in Latin American realismo mágico. As hyper-real, originating in Latin American literature, the earli.

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