pressthemole blogspot.com

Blistered, Not Broken

Blistered, Not Broken. It is about how my frailty is entwined with my strength. It is about the experiences in life that forge the existence in me. It is about how in simplicity, uniqueness can be found. It is about why I have a mole on my nose. 17 May, 2008. Love of mine some day you will die,. But Ill be close behind. Ill follow you into the dark. No blinding light or tunnels to gates of white;. Just our hands clasped so tight,. Waiting for the hint of a spark. If heaven and hell decide,. Then Ill f.

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LINKS TO WEB SITE

THE SKY ABOVE;

Sunday, November 12, 2006. but im too lazy to type what happened, so if you wanna know, go to FIFI. Due to the constant persisting of my fellow friend PISS. We had some days ago.

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Blistered, Not Broken

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Blistered, Not Broken. It is about how my frailty is entwined with my strength. It is about the experiences in life that forge the existence in me. It is about how in simplicity, uniqueness can be found. It is about why I have a mole on my nose. 17 May, 2008. Love of mine some day you will die,. But Ill be close behind. Ill follow you into the dark. No blinding light or tunnels to gates of white;. Just our hands clasped so tight,. Waiting for the hint of a spark. If heaven and hell decide,. Then Ill f.

CONTENT

This web page pressthemole.blogspot.com states the following, "It is about how my frailty is entwined with my strength." We saw that the webpage said " It is about the experiences in life that forge the existence in me." It also said " It is about how in simplicity, uniqueness can be found. It is about why I have a mole on my nose. Love of mine some day you will die,. But Ill be close behind. Ill follow you into the dark. No blinding light or tunnels to gates of white;. Just our hands clasped so tight,. Waiting for the hint of a spark. If heaven and hell decide,."

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Techniques Shivani uses

To finish her Oil paintings, Shivani has imrovised from the classic varnish by introducing a top layer of resin on some works. The resin makes colours vivid and introduces the desire in the viewer to touch the paintings. The texture of the oil paint comes through the resin. Small balls of gold or silver are placed between sheets of tissue paper laid in a leather pouch. This is beaten repeatedly but carefully with a heavy wooden hammer flattening the balls into paper thin sheets. When semi dry, colours ar.