pramanasruti blogspot.com

PRAMANA SRUTI

Tuesday, April 21, 2009. INDIAN MUSICOLOGY REVISITED Pramana SrutiAmplification Notes 22 Srutis. The West envisioned their musical Notes as mathematical fractions occurring between 1 and 12. Ie the lower and the upper boundaries of an octave. Western musicologists could, therefore, modify their Notes mathematically, in order to keep pace with changing times. But how did they discover at all that mathematical fractions and music were deeply related? As we turn towards India, we are in for.

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INDIAN MUSICOLOGY REVISITED MADHYAMA-GRAMA

Monday, April 27, 2009.

INDIAN MUSICOLOGY REVISITED SADJA-GRAMA

Saturday, April 25, 2009.

SHUDH SWARAS IN SHASTRIYA AND CARNATIC MUSIC

Monday, April 13, 2009.

Gods of Sumeria symbolize Ancient Music of 22 Srutis

Gods of Sumeria symbolize Ancient Music of 22 Srutis. Friday, 8 May 2009. Gods of Sumeria symbolize our Ancient Music of 22 Srutis. Sumerians, the earliest civilization as per our recorded history. My initial response was one of utter disbelief as to how an abjectly pri.

INDIAN MUSICOLOGY REVISITED MURCHANAs

Tuesday, July 3, 2012. Wednesday, April 29, 2009.

Sruti vis-a-vis Swara

Monday, April 13, 2009. Human ears are sensitive enough to perceive sound frequencies ranging from a few tens of Hertz. To over ten thousand Hertz.

Search for Our Ancient Music- Conceptual Overview

Search for Our Ancient Music- Conceptual Overview. Wednesday, 13 May 2009.

SYNOPSIS The Mystic Citadel of 22 Srutis Music

Wednesday, October 14, 2009. This mysticism eludes the linear thinking laity.

The Ancient Music culture of 22 srutis

The Ancient Music culture of 22 srutis. Wednesday, March 25, 2009. The Ancient Culture of 22 Srutis Music.

Ancient Music of 22 Tones and Archytas Doctrine

Monday, June 25, 2012.

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Tuesday, April 21, 2009. INDIAN MUSICOLOGY REVISITED Pramana SrutiAmplification Notes 22 Srutis. The West envisioned their musical Notes as mathematical fractions occurring between 1 and 12. Ie the lower and the upper boundaries of an octave. Western musicologists could, therefore, modify their Notes mathematically, in order to keep pace with changing times. But how did they discover at all that mathematical fractions and music were deeply related? As we turn towards India, we are in for.

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This web page pramanasruti.blogspot.com states the following, "Tuesday, April 21, 2009." We saw that the webpage said " INDIAN MUSICOLOGY REVISITED Pramana SrutiAmplification Notes 22 Srutis." It also said " The West envisioned their musical Notes as mathematical fractions occurring between 1 and 12. Ie the lower and the upper boundaries of an octave. Western musicologists could, therefore, modify their Notes mathematically, in order to keep pace with changing times. But how did they discover at all that mathematical fractions and music were deeply related? As we turn towards India, we are in for."

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