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木上絲琴學日記 Qin Study Journals
Tuesday, August 11, 2015. 王魯賓 其法如兩個小退復 先一個小 後一個稍大 小者 僅離本位 大者 亦不至下律也. 楊宗稷 蕩吟用七吟 得音後即帶音下徽左二三分, 隨上至徽位為一轉, 再上再下凡七轉, 均不越過徽位之右, 用指與猱似同實異, 猱往下用力, 而上不用力. 崇昭王妃 遊猱也, 按指如九徽上得聲, 乘聲從容且遊且猱而上, 謂之落花流水之勢. 彭慶壽 游猱蕩猱也. 說明參考游吟蕩吟,游猱于進復進後加 注猱, 蕩游先下後上再加猱. 可參考管平湖先生之流水第215 與 2 18 處的蕩猱 其實與長猱沒太大分別. 以及唐健垣先生的流水 在 156 and 159 處的蕩猱. 以及葛翰驄先生的流水 在 221 and 224 處的蕩猱. Silk on wood 木上絲. Thursday, July 30, 2015. 琴訣 Qin Knack 琴之善 benefits of playing the qin. And how did ancient qin players do to better their life? Embolde.
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Chinese guqin playing and notation
FINGER TECHNIQUE AND NOTATION 彈奏指法說明. On the islet in the river - Guqin and Common Loon.
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木上絲琴學日記 Qin Study JournalsDESCRIPTION
Tuesday, August 11, 2015. 王魯賓 其法如兩個小退復 先一個小 後一個稍大 小者 僅離本位 大者 亦不至下律也. 楊宗稷 蕩吟用七吟 得音後即帶音下徽左二三分, 隨上至徽位為一轉, 再上再下凡七轉, 均不越過徽位之右, 用指與猱似同實異, 猱往下用力, 而上不用力. 崇昭王妃 遊猱也, 按指如九徽上得聲, 乘聲從容且遊且猱而上, 謂之落花流水之勢. 彭慶壽 游猱蕩猱也. 說明參考游吟蕩吟,游猱于進復進後加 注猱, 蕩游先下後上再加猱. 可參考管平湖先生之流水第215 與 2 18 處的蕩猱 其實與長猱沒太大分別. 以及唐健垣先生的流水 在 156 and 159 處的蕩猱. 以及葛翰驄先生的流水 在 221 and 224 處的蕩猱. Silk on wood 木上絲. Thursday, July 30, 2015. 琴訣 Qin Knack 琴之善 benefits of playing the qin. And how did ancient qin players do to better their life? Embolde.CONTENT
This web page peiyouqin.blogspot.com states the following, "Tuesday, August 11, 2015." We saw that the webpage said " 王魯賓 其法如兩個小退復 先一個小 後一個稍大 小者 僅離本位 大者 亦不至下律也." It also said " 楊宗稷 蕩吟用七吟 得音後即帶音下徽左二三分, 隨上至徽位為一轉, 再上再下凡七轉, 均不越過徽位之右, 用指與猱似同實異, 猱往下用力, 而上不用力. 崇昭王妃 遊猱也, 按指如九徽上得聲, 乘聲從容且遊且猱而上, 謂之落花流水之勢. 說明參考游吟蕩吟,游猱于進復進後加 注猱, 蕩游先下後上再加猱. 可參考管平湖先生之流水第215 與 2 18 處的蕩猱 其實與長猱沒太大分別. 以及唐健垣先生的流水 在 156 and 159 處的蕩猱. 以及葛翰驄先生的流水 在 221 and 224 處的蕩猱. Thursday, July 30, 2015. 琴訣 Qin Knack 琴之善 benefits of playing the qin. And how did ancient qin players do to better their life? Embolde."SEEK SIMILAR DOMAINS
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