njcmepipwabbitsofyear2008 blogspot.com

NJC MEP IP12 2008

Saturday, December 27, 2008. A Identify the climax points throughout the piece with the use of bar numbers, and tell Miss Huang how they are achieved using what Dr Kelly Tang has taught us i.e. diminution of rhythm, thickening of texture, muted strings - bowed strings, addition of the lower brasses register things like that. 1 From bar 17 to the first quaver beat of bar 20. 2 From bar 24 to the first crotchet beat of bar 25. 3 From bar 37 to bar 50. 4 From bar 63 to bar 71. Sunday, December 21, 2008.

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NJC MEP IP12 2008

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Saturday, December 27, 2008. A Identify the climax points throughout the piece with the use of bar numbers, and tell Miss Huang how they are achieved using what Dr Kelly Tang has taught us i.e. diminution of rhythm, thickening of texture, muted strings - bowed strings, addition of the lower brasses register things like that. 1 From bar 17 to the first quaver beat of bar 20. 2 From bar 24 to the first crotchet beat of bar 25. 3 From bar 37 to bar 50. 4 From bar 63 to bar 71. Sunday, December 21, 2008.

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This web page njcmepipwabbitsofyear2008.blogspot.com states the following, "Saturday, December 27, 2008." We saw that the webpage said " A Identify the climax points throughout the piece with the use of bar numbers, and tell Miss Huang how they are achieved using what Dr Kelly Tang has taught us i." It also said " diminution of rhythm, thickening of texture, muted strings - bowed strings, addition of the lower brasses register things like that. 1 From bar 17 to the first quaver beat of bar 20. 2 From bar 24 to the first crotchet beat of bar 25. 3 From bar 37 to bar 50. 4 From bar 63 to bar 71. Sunday, December 21, 2008."

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