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Critical State 2010 at the River Arts. Building in Morrisville, Vermont. An evening-length solo based on the Fibonacci series. Premiered at Danspace Project, Feb 2004. Choreographed by Polly Motley, 1985. Conceived and performed by Polly Motley in collaboration with Molly Davies. Go Tell Aunt Rhodie, Baryshnikov Arts Center, NYC, June 2009.
Solo performances for stage, installations, and specific sites that bring viewers close to the experience of dancing. Lecture-demonstrations and professional development training that excitingly de-mistify dance-making. New and repertory works for dance companies and dance departments that range from the athletically virtuosic to the theatrical and comtemplative.
As a soloist, I have successfully navigated site-specific, time-based inter-media work. Critical State marks for me a new relationship to ensemble with all its challenging multiplicity. Solo performances for stage, installations, and specific sites that. Bring viewers close to the experience of dancing.
We just wrapped up our debut of Critical State at the River Arts. Here is a quick promo we made with some of the footage. SEPTEMBER 2 -3, 2010. In chemistry and condensed-matter physics, a critical point, also called a critical state, specifies the conditions at which a phase boundary ceases to exist, for example when a vapor changes to liquid. Building in Morrisville, Vermont.
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Concerning Performance for Museums, Galleries and Public Sites. John Cage wrote that for art to be contemporary it must be fluent with its environment. That is, it should not interfere with the real world that is happening around it, and what naturally occurs in the environment around it need not be stopped to accommodate the art. There are a few practical considerations. Normal function of areas is respected. Unless there is a publicized event occurring at a specific time, stairways are not blocked,.CONTENT
This web page motleygallery.blogspot.com states the following, "Concerning Performance for Museums, Galleries and Public Sites." We saw that the webpage said " John Cage wrote that for art to be contemporary it must be fluent with its environment." It also said " That is, it should not interfere with the real world that is happening around it, and what naturally occurs in the environment around it need not be stopped to accommodate the art. There are a few practical considerations. Normal function of areas is respected. Unless there is a publicized event occurring at a specific time, stairways are not blocked,."SEEK SIMILAR DOMAINS
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