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The UNRelease無出街

The UN Release無出街. Thursday, January 29, 2015. 楊千嬅很好寫也很不好寫她紅但差不多是公認唱功麻麻現場演出更是驚心動魄於是喜歡她的人想盡辦法向別人甚至向自己解釋也就出現了親切平凡論與陪我成長論 在這個沒巨星的年代平凡親切早已是主流關於成長幾乎是可以套用在任何歌手身上你說楊千嬅陪你成長後生一點會說我聽twins長大再後生會說G.E.M.呀每個年代都有專屬偶像所以重點是為何你揀楊千嬅陪你而不是同代的陳慧琳容祖兒或者梁詠琪諸如此類乜乜乜 跟她是同代人所以不存在伴著成長這回事我有我年代的專屬偶像反之同代就是一同經歷人生階段一切都是華星年代播下的種子玩手作仔的私日記遊世界的到此一遊 抬起頭來的爽朗女孩夏天的故事還有整張碟也暖笠笠像圍在火爐前的冬天的故事.我想她知道自己得到最好的也真的被音樂感動於是她很用心唱但凡是真心便會感動人林夕說過因為覺得她唱再見二丁目太好於是決定以.可是可是她的表場演出每每教人擔心 如果我年輕十數年聽歌齡比.除了因為用菲林拍攝效果充滿質感6.

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The UNRelease無出街

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The UN Release無出街. Thursday, January 29, 2015. 楊千嬅很好寫也很不好寫她紅但差不多是公認唱功麻麻現場演出更是驚心動魄於是喜歡她的人想盡辦法向別人甚至向自己解釋也就出現了親切平凡論與陪我成長論 在這個沒巨星的年代平凡親切早已是主流關於成長幾乎是可以套用在任何歌手身上你說楊千嬅陪你成長後生一點會說我聽twins長大再後生會說G.E.M.呀每個年代都有專屬偶像所以重點是為何你揀楊千嬅陪你而不是同代的陳慧琳容祖兒或者梁詠琪諸如此類乜乜乜 跟她是同代人所以不存在伴著成長這回事我有我年代的專屬偶像反之同代就是一同經歷人生階段一切都是華星年代播下的種子玩手作仔的私日記遊世界的到此一遊 抬起頭來的爽朗女孩夏天的故事還有整張碟也暖笠笠像圍在火爐前的冬天的故事.我想她知道自己得到最好的也真的被音樂感動於是她很用心唱但凡是真心便會感動人林夕說過因為覺得她唱再見二丁目太好於是決定以.可是可是她的表場演出每每教人擔心 如果我年輕十數年聽歌齡比.除了因為用菲林拍攝效果充滿質感6.

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