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Music in the Age of Mechanical Reproduction. An electronic composer contemplates the paradoxes that nourish and sustain his work within a tradition that feeds on itself. Has the democratization of technology destroyed the music it might have freed? Musicians from Varese to Peter Gabriel have foreseen the day that is now upon us. Does the digital audio revolution spell apocalypse or rebirth, musically speaking? Thursday, June 25, 2009. From the Aether It Comes. How else to explain it? With lots.

Jueves, 8 de octubre de 2009. Oh que será, que será. En un bostezo despistado se me coló dentro. Y desde entonces se pasea caprichoso por todo mi cuerpo. Hay días que no sale de mi cabeza. Otros, lo noto en mis ojos y me hace llorar. Cuando cruza mi garganta, siento que me falta la respiración. Si baja hasta el pecho, mi corazón se acelera. En mi estómago, se vuelve mariposa. Y los días que recorre mis piernas y llega hasta mis pies, no puedo dejar de reír por las cosquillas.

Separate s h e e t s. these scribbles are dedicated to all of you radical, funky angels. The way to Quebec from the midwest this spring, we spent a morning at the George Eastman International Museum of Photography and Film. Taking place within occupied Palestine. An impressionistic journal that will not only stay with me but frame how i remember the past.

Miércoles, 16 de junio de 2010. It is not the sound itself. for the musician, the composer. Y hay música que se queda en el alma. Pero todavía más lo que es a veces nuest.