gplunkettabout blogspot.com

Gwendolyn Plunkett About

Saturday, October 18, 2008. The work also ranges from pure non-objective imagery to abstracted images grounded in real life. I love the activity of the gestural mark as much as I love the silence of the minimal presentation with little sign of the artists hand. The monotony of making the same mark repeatedly, over and over, becomes as much a mantra for meditation as any uttered sound. Garden, Blue Note, and Rounding Out. GardenRed, oil, 36x36in. Diver from Blue Note series, oil on canvas, 20 x 20 inches.

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Gwendolyn Plunkett Resume

Selected One and Two Person Exhibitions. Beneath the Eroding Surface,. William Ruller, Austin Art Co, Austin, TX. Wax, Paper, Ink - Gwendolyn Plunkett,. Pearl Fincher Art Museum, Spring, TX. The Encaustic Center, Richardson, TX. Buchanan Gallery, Galveston, TX. San Jacinto College-Central, Pasadena, TX. Gwendolyn Plunkett, Sharon Kyle-Kuhn, at Darke Gallery, Houston,TX. De Zeta Gallery, Houston, TX.

G Plunkett StudioWorkshops

Sunday, April 1, 2012. Spring Encaustic Workshop at LoneStar College, CyFair. This piece was cast in sand. Last day of the Spring Encaustic workshop at LoneStar College, CyFair was Saturday. We were all sad to see it end and everyone was wanting more days added on to the 6 weeks course. Congratulations to each of them.

About Encaustics

Sunday, October 26, 2008. Encaustic paint is essentially beeswax, natural tree resin, pigment and of course, heat. People have been painting with it off-and-on for centuries dating back to Ancient Egypt, Greece and Rome. Here in Houston at the Menil Museum you can see several Fayum Mummy Portraits that date to antiquity. A paint consisting of pigment mixed with beeswax and fixed with heat after its application. Paula Roland, an ar.

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Gwendolyn Plunkett About

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Saturday, October 18, 2008. The work also ranges from pure non-objective imagery to abstracted images grounded in real life. I love the activity of the gestural mark as much as I love the silence of the minimal presentation with little sign of the artists hand. The monotony of making the same mark repeatedly, over and over, becomes as much a mantra for meditation as any uttered sound. Garden, Blue Note, and Rounding Out. GardenRed, oil, 36x36in. Diver from Blue Note series, oil on canvas, 20 x 20 inches.

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This web page gplunkettabout.blogspot.com states the following, "Saturday, October 18, 2008." We saw that the webpage said " The work also ranges from pure non-objective imagery to abstracted images grounded in real life." It also said " I love the activity of the gestural mark as much as I love the silence of the minimal presentation with little sign of the artists hand. The monotony of making the same mark repeatedly, over and over, becomes as much a mantra for meditation as any uttered sound. Garden, Blue Note, and Rounding Out. GardenRed, oil, 36x36in. Diver from Blue Note series, oil on canvas, 20 x 20 inches."

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