Sunday, February 26, 2012. Saturday May 19, 2012. GIRRL is an international organization supporting and encouraging new work by women who are working in the sonic and digital arts. May 2012 GIRRL in connection with Queensland University of Technology is hosting a symposium on the Excess of Sound. Is responding to the increasing global interest in sound studies and sonic art.

Projects will be announced as the year unfolds.

Electrovocal Performance - Compositional experiments in voice and electronics. The Glasshouse, QUT Creative Industries Precinct Brisbane. The Glasshouse, QUT Creative Industries Precinct Brisbane.

A digital essay on the sound of being . originally published in Delirious Hem by Majena Mafe. Monsterouus-singing by majena mafe click here. 160; blobber click here. A digital essay on the sound of being . originally published in Delirious Hem by Majena Mafe.

This page features interviews with the Sounders, the Stars, Innovators and Pioneers in the Sound Arts, women who have sounded-out their sound across the frontiers of empty space . going where no woman has ever gone before . Annea Lockwood interview with Heather Dewey-Hagborg. Pauline Oliveros interview with Heather Dewey-Hagborg. Liz Phillips interview with Heather Dewey- Hagborg . NEW! Colleen Keough interview NEW! Sarah Boothroyd NEW TOO! .

Fabulous fabulous new site launched . Launch of the new website HER NOISE. Is a resource of collected materials investigating music and sound histories in relation to gender, bringing together a wide network of women artists who use sound as a medium. Ain Bailey - sound artist.

GIRRL is so very happy to announce our new podcasts CAT CINDERELLA Radio Mag. Curated and hosted by Barbara De Dominicis.

Ladyz in Noyz by Gail Priest. While not yet a regular Sydney event, Ladyz in Noyz is certainly an interesting addition to the sound landscape. Lara Soulio has plans to make it happen here again, hopefully with more local involvement. This article is reproduced with the permission of the publisher of RealTime, Open City, and the writer.

This is a fabulous paper critiquing the lack of acknowledgement and involvement of women working within the sonic arts. Published in Performance Research Journal.

The audio work of Canadian Sarah Boothroyd. The following is based on interviews conducted in August 2011 by Marcelle Kosman of Pioneer Radio and Emily Corwin of Public Radio Exchange. Briefly describe your background and approach to sound art. What led you to create this 25-minute audio work? In July 2010, I came across a tantalizing call for proposals. If you had to write a recipe for producing All In Time, what would it look like? For s.