我正看著照片中看著我的你

金曜日, 6月 10, 2011. 展出地點 Free Hugs street GALLERY. 12300;詞默默地和小心謹慎地在紙張的空白處排列開來在這空白處詞既不能擁有聲音也不能具有對話者在那裡詞所要講述的只是自身詞所要作的只是在自己的存在中閃爍. 創作者所安排的景觀來自即將消失或帶有強烈社會力量參與的場域難以辨識角色意圖的凝視行為在此成為被觀看的對象具有時間歷程的重重疊影因應觀者行動時而出場顯影時而退場空缺角色形體始終維持模糊稀釋的狀態雙螢幕的對比試圖將介入重新定義為一個層層累積卻又持續不斷刮除重寫 palimpsest. 且缺乏主體參與的過程一種與見證行為相抵觸的觀看經驗在陌生角色與刻意模糊文化脈絡的景觀邊界中作品本身成為對凝視的空洞回應對無言以說的再言說創作者意圖揭露觀看行為得以順暢照見的深層結構我們總在難以自覺的期待視域中廉價收藏著他人的生命 與凝視的對象維持一定的距離遊蕩的過程沒有開端 與結局. 的概念它並不是要訴說一個故事 . 65292; pp.392-393. 時刻 6102011 034000 午後.

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我正看著照片中看著我的你

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金曜日, 6月 10, 2011. 展出地點 Free Hugs street GALLERY. 12300;詞默默地和小心謹慎地在紙張的空白處排列開來在這空白處詞既不能擁有聲音也不能具有對話者在那裡詞所要講述的只是自身詞所要作的只是在自己的存在中閃爍. 創作者所安排的景觀來自即將消失或帶有強烈社會力量參與的場域難以辨識角色意圖的凝視行為在此成為被觀看的對象具有時間歷程的重重疊影因應觀者行動時而出場顯影時而退場空缺角色形體始終維持模糊稀釋的狀態雙螢幕的對比試圖將介入重新定義為一個層層累積卻又持續不斷刮除重寫 palimpsest. 且缺乏主體參與的過程一種與見證行為相抵觸的觀看經驗在陌生角色與刻意模糊文化脈絡的景觀邊界中作品本身成為對凝視的空洞回應對無言以說的再言說創作者意圖揭露觀看行為得以順暢照見的深層結構我們總在難以自覺的期待視域中廉價收藏著他人的生命 與凝視的對象維持一定的距離遊蕩的過程沒有開端 與結局. 的概念它並不是要訴說一個故事 . 65292; pp.392-393. 時刻 6102011 034000 午後.

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