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e-arthistory

Thursday, December 29, 2016. At first glance, Piero della Francescas unfinished Nativity dated 1470-75 by the National Gallery in London seems a patchy conglomeration of all the elements one expects to find in a painted Nativity scene in the Renaissance. A crumbling manger, ox and ass, two poor shepherds, St. Joseph sitting on a saddle, the kneeling Madonna, and the child lying on his mothers gown. The only figures added to the scene are the standing musicians serenading the child. There is no sugge.

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My little Döhren Blog Leben am Südrand von Hannover

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Thursday, December 29, 2016. At first glance, Piero della Francescas unfinished Nativity dated 1470-75 by the National Gallery in London seems a patchy conglomeration of all the elements one expects to find in a painted Nativity scene in the Renaissance. A crumbling manger, ox and ass, two poor shepherds, St. Joseph sitting on a saddle, the kneeling Madonna, and the child lying on his mothers gown. The only figures added to the scene are the standing musicians serenading the child. There is no sugge.

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This web page e-arthistory5.blogspot.com states the following, "Thursday, December 29, 2016." We saw that the webpage said " At first glance, Piero della Francescas unfinished Nativity dated 1470-75 by the National Gallery in London seems a patchy conglomeration of all the elements one expects to find in a painted Nativity scene in the Renaissance." It also said " A crumbling manger, ox and ass, two poor shepherds, St. Joseph sitting on a saddle, the kneeling Madonna, and the child lying on his mothers gown. The only figures added to the scene are the standing musicians serenading the child."

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