Tuesday, 28 November 2017. More playing in the studio. Various playings in my studio, as ideas float in and float out, later to be pursued or not. These are special moments, moments I love when I have that luxury of playfulness. Charred oak and pressed flowers in perspex. Band saw playfulness in oak. Charred oak with pressed grass. Charred oak, acorn galls, pressed daisies in perspex.

Wednesday, February 29, 2012. This is the 4th piano he paints. The title for this video project? This is some work.

The dry tone and rich supple vigorous style keep me immersed in reading the Oku-no-hosomichi. Sometimes arising and clapping or lying down, stirred to the core. Once had my raincoat on, eager to go on a like journey, and then again content to sit imagining those rare sights. What a hoard of feelings, Kojin jewels, has his brush depicted! Pity only that he turns wearier and more and more white comes tingeing his brows.

My practice encompasses a variety of experimental processes that animate both natural and constructed environments, seeking to form connections between culture, nature and place. I am concerned with how physical, tactile interactions in nature can shape our inner experiences and understanding of the world. I currently live and work in Lethbridge, Alberta, Canada. Saturday, January 10, 2015. Snow Drawing on Cottonwood at the Helen Schuler Nature Centre.

Strange it is all over, Spring Fling seems to have been part of my every waking moment and then it stopped. Finishing one of many plant supports at Spring Fling. Having an exhibition at the CatStrand really upped the pressure, but how rewarding that has been. I carry a head full of ideas for new work which I rarely get chance to progress, this made it happen. So there should be some more interesting designs tumbling out of the workshop this year. Monday, 3 December 2012.

Asymp; Leave a comment. Final project for MLA508U, University of Richmond, 2013. Asymp; Leave a comment. Alan Alda has an idea.