atlantaartsreview blogspot.com

Atlanta Arts Review

Sunday, December 11, 2011. Noam Pikelny at Smiths Olde Bar, 129. Finally, it could be ignored no longer. Jesse Cobb, eyes toward the ruckus upstairs, strummed an E minor chord, rocked back and forth, and belted a chorus in lock-step with the thunderous sound from above. Last dance with Mary JaneOne more time to kill the pain. Gabe Witcher on fiddle, picked up the lazy guitar riff, passing it to banjo player Noam Pikelny. Hilarity ensued. In a fake documentary for Beat the Devil on funnyordie.com.
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Hotbed of Intrigue

Controversies in and critiques of arts and culture in Philadelphia and elsewhere. Monday, December 20, 2010. The ten best performances I had the good fortune to attend in 2010, in chronological order. Music by Robert Ashley and others, same date and location as previous entry.

Whimsical, yet relevant.

Thursday, September 23, 2010. In the interview he answers questions sent in from all over the world about what it has been like to live in three different centuries.

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Atlanta Arts Review

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Sunday, December 11, 2011. Noam Pikelny at Smiths Olde Bar, 129. Finally, it could be ignored no longer. Jesse Cobb, eyes toward the ruckus upstairs, strummed an E minor chord, rocked back and forth, and belted a chorus in lock-step with the thunderous sound from above. Last dance with Mary JaneOne more time to kill the pain. Gabe Witcher on fiddle, picked up the lazy guitar riff, passing it to banjo player Noam Pikelny. Hilarity ensued. In a fake documentary for Beat the Devil on funnyordie.com.

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This web page atlantaartsreview.blogspot.com states the following, "Sunday, December 11, 2011." We saw that the webpage said " Noam Pikelny at Smiths Olde Bar, 129." It also said " Finally, it could be ignored no longer. Jesse Cobb, eyes toward the ruckus upstairs, strummed an E minor chord, rocked back and forth, and belted a chorus in lock-step with the thunderous sound from above. Last dance with Mary JaneOne more time to kill the pain. Gabe Witcher on fiddle, picked up the lazy guitar riff, passing it to banjo player Noam Pikelny. In a fake documentary for Beat the Devil on funnyordie."

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