atelierealtextoctrgb blogspot.com

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Composição em tempo real. Bartlebys Id rather not to. Keeps the possibility hanging between event and non-event, between the capacity to be and the capacity to not be. But how can we recognise and capture that fragment, if it appears only when we least expect it, and if it can hardly stand on its feet, so fleeting and transitory? See Herman Melville 18191891, Bartleby, the Scrivener. A Story of Wall Street.

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Composição em tempo real. Bartlebys Id rather not to. Keeps the possibility hanging between event and non-event, between the capacity to be and the capacity to not be. But how can we recognise and capture that fragment, if it appears only when we least expect it, and if it can hardly stand on its feet, so fleeting and transitory? See Herman Melville 18191891, Bartleby, the Scrivener. A Story of Wall Street.

CONTENT

This web page atelierealtextoctrgb.blogspot.com states the following, "Bartlebys Id rather not to." We saw that the webpage said " Keeps the possibility hanging between event and non-event, between the capacity to be and the capacity to not be." It also said " But how can we recognise and capture that fragment, if it appears only when we least expect it, and if it can hardly stand on its feet, so fleeting and transitory? See Herman Melville 18191891, Bartleby, the Scrivener. A Story of Wall Street."

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