ashleighcartercinematography blogspot.com

ashleigh carter cinematography

Friday, 5 July 2013. These shots where taken on a test shoot for Nick Scali. I guess we did OK, the spots are on air this week. Through production company Maven Productions, along with Director Brett Danton we created a beautiful new look. Filmed in the Alexandria showroom over two days we filmed 10 x 15 sec tvcs. We shot with the Canon 1DC set to 4K, filmed with the 24mm 4k cinema prime. Saturday, 1 June 2013. Puberty Blues season 2. With a big thankyou to DP John Brawley and DIR Glendyn Ivin. The M .
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Lulu Carter

The first month of the new year. That is the face of someone with a bowl of sultanas in front of him and full cheeks. Admittedly since I wrote that list some of those things could have happened, but none of them were achievable alone and other things happen all the time so focus gets scrambled. Also I like to knit until one in the moring not micro manage our lives. I am not going to let myself get flusterd by tornado type personalities and I am goi.

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ashleigh carter cinematography

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Friday, 5 July 2013. These shots where taken on a test shoot for Nick Scali. I guess we did OK, the spots are on air this week. Through production company Maven Productions, along with Director Brett Danton we created a beautiful new look. Filmed in the Alexandria showroom over two days we filmed 10 x 15 sec tvcs. We shot with the Canon 1DC set to 4K, filmed with the 24mm 4k cinema prime. Saturday, 1 June 2013. Puberty Blues season 2. With a big thankyou to DP John Brawley and DIR Glendyn Ivin. The M .

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This web page ashleighcartercinematography.blogspot.com states the following, "These shots where taken on a test shoot for Nick Scali." We saw that the webpage said " I guess we did OK, the spots are on air this week." It also said " Through production company Maven Productions, along with Director Brett Danton we created a beautiful new look. Filmed in the Alexandria showroom over two days we filmed 10 x 15 sec tvcs. We shot with the Canon 1DC set to 4K, filmed with the 24mm 4k cinema prime. Saturday, 1 June 2013. With a big thankyou to DP John Brawley and DIR Glendyn Ivin."

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