ascendingcadencegestures blogspot.com

Ascending Cadence Gestures in Tonal Music

Ascending Cadence Gestures in Tonal Music. Thursday, November 13, 2014. Van Eyck series, postscript. While looking through Winfried Michel and Hermien Teskes edition of Der Fluyten Lust-hof. The overall point to be made about this is that van Eyck respects the downward focus of the tune by embellishing lower and lower and almost entirely avoiding the register above F5, despite the invitation of the G5 that opens the second half see 2. Wednesday, November 12, 2014. Van Eyck series, no. 7. But rather.

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Hearing Schubert D779n13

Monday, October 30, 2017. I have published the essay The Ascending Urlinie. In the endnotes to an article published thirty years ago, I list about thirty compositions as representative examples of different forms of the ascending Urlinie. Tuesday, June 6, 2017. Gallery of Simple Examples, Volume 2.

Dance and Dance Music, 1650-1850

Dance and Dance Music, 1650-1850. Tuesday, October 28, 2014. Rising lines in the Playford collections. I am working on a solution. As with the Buelow contredanses mentioned in a previous post, I have also made a page with facsimiles. Monday, October 27, 2014.

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Ascending Cadence Gestures in Tonal Music

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Ascending Cadence Gestures in Tonal Music. Thursday, November 13, 2014. Van Eyck series, postscript. While looking through Winfried Michel and Hermien Teskes edition of Der Fluyten Lust-hof. The overall point to be made about this is that van Eyck respects the downward focus of the tune by embellishing lower and lower and almost entirely avoiding the register above F5, despite the invitation of the G5 that opens the second half see 2. Wednesday, November 12, 2014. Van Eyck series, no. 7. But rather.

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This web page ascendingcadencegestures.blogspot.com states the following, "Ascending Cadence Gestures in Tonal Music." We saw that the webpage said " Thursday, November 13, 2014." It also said " Van Eyck series, postscript. While looking through Winfried Michel and Hermien Teskes edition of Der Fluyten Lust-hof. The overall point to be made about this is that van Eyck respects the downward focus of the tune by embellishing lower and lower and almost entirely avoiding the register above F5, despite the invitation of the G5 that opens the second half see 2. Wednesday, November 12, 2014. Van Eyck series, no."

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Dance and Dance Music, 1650-1850

Dance and Dance Music, 1650-1850. Tuesday, October 28, 2014. Rising lines in the Playford collections. I am working on a solution. As with the Buelow contredanses mentioned in a previous post, I have also made a page with facsimiles. Monday, October 27, 2014.

Hearing Resources - LLC

Thursday, October 23, 2014. It certainly hit close to home for me so I wanted to share this with all of you.

Hearing Shadows

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Noooooo-tay, nooo-tay, gael. Cateepoo, you hit me with that wicked trick called love. Only you can voo-doo me into that hocus-pocus spell. So, get over here and kiss me cateepoo.

دویـدن در مهـ ـباران

آزادی معنا پیدا نمیکند مگر آنکه همه مان آزاده باشیم. و شاید هم فوبیا! اگه معلم دینی قرآن بودم. به بچه ها میگفتم تو یه موضوع علمی که دوست دارند در قرآن تحقیق کنند! به جا اینکه از بهشت و جهنم و عذاب و کباب بگم! بچه ها به اعتقاد به خدا نیاز دارن نه ترس از خدا! هنر و معماری در قرآن. سخت میگیرد جهان بر مردمان سخت کوش.