The Sound of Music
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Wednesday, November 17, 2010. AAI333 - Blogging Assignment 2. Three Quarter tone Pieces - I.
A Blog for me to learn. Sunday, September 7, 2008. The typical harmonic phrase model of T - PD - D - T can be observed in this short excerpt. This can be seen from bars 1-7, as shown above in the score. I - Ib - I - Ib - IVc - IV - IVc - IV - Vb - Vc - V7 - I. I - V - vi - vic - Ib - I - IV.
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The Sound of Music. Thursday, September 25, 2008. Analysis of Marriage DAmour. An Analysis of the song Marriage DAmour by Richard Clayderman. The piano transcription of this song illustrates several elements of phrase analysis, which will be discussed further. Time Signature and Hypermetric Organization. Throughout the piece, the time signature changes. As such, the stress patterns also vary. The diagram below attempts to illustrate the hypermetre of the first 13 bars. Bars 12-13 portray a period .CONTENT
This web page annaasha.blogspot.com states the following, "Thursday, September 25, 2008." We saw that the webpage said " An Analysis of the song Marriage DAmour by Richard Clayderman." It also said " The piano transcription of this song illustrates several elements of phrase analysis, which will be discussed further. Time Signature and Hypermetric Organization. Throughout the piece, the time signature changes. As such, the stress patterns also vary. The diagram below attempts to illustrate the hypermetre of the first 13 bars. Bars 12-13 portray a period ."SEEK SIMILAR DOMAINS
3007; Souvent en ligne. On doit vivre sa vie en regardant. Abonne-toi à mon blog! .
Tuesday, September 9, 2008. Tuesday, September 09, 2008. Saturday, September 6, 2008. You can hear the song Give Thanks at the url bel. This song is in the key of G Major. It starts with an anacrusis. The phrase starts from bar 1 - 9 and it repeats itself.
Paris et de nombreuses autres choses! Je fais de la guitare.
Friday, September 26, 2008. Pop Music Analysis - Forbidden Love. The piece is in the key of C major. By and large, this piece is in 2 nd. The song is mainly repetitive. The accompaniment is in an arpeggic style. The antecedent and consequent phrases in the piece are also considered sentences because of the S-S-L phrasing involved. The phrase structure is mainly 1 1 2.
Wednesday, October 22, 2008. Perhaps the clever use of asymmetric phrasing, rhythmic motive and lyrics serve well together to enhance the appeal of the piece. I find that the piece has a rather slow harmonic rhythm, perhaps to cre.