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Monday, March 27, 2006. The artist strives to create a maximum spatial contradiction, largely without giving up the differe.
Wednesday, December 14, 2005. These are all short-term experiments to find out, what if? Next semester I plan on developing some of them, but for the time being, I concentrated on trying many different things. I attempted to initially go wide, and only later to zero in on whichever ones seem successful. Tuesday, December 06, 2005. Core Samples 10 In this final project I created another wax book which I gave away as tokens.
Friday, April 14, 2006. Thursday, April 13, 2006. Wednesday, March 15, 2006. Monday, March 13, 2006. So, the conversation kept changing subjects and times, navigating among past party stories, present goals of getting to Boston, and silly ideas for the future. People pass and I watch.
Tuesday, December 06, 2005. The original walls are painted into a new setting which both documents and transforms the vernacular language of street graffiti. This is a response to an actual site through formal transformation. Progression, transition, and transformation are evoked through shifts in color, which are evolving through sequential panels. The prints utilize both subtle and vibrant color juxtapositions, playing with different hues but similar values, a.
Tuesday, December 06, 2005. Through those projects, I created spaces dealing with the total inhabited experience. I saw the power of constructing an experiential environment and building space. During that process, I became aware that a building is a collection of multiple vantage points and simultaneous moments people experience through circulation and progression. Thursday, December 01, 2005.
Saturday, March 18, 2006. Monday, March 13, 2006. Sunday, February 26, 2006. Saturday, February 25, 2006. Thursday, November 03, 2005.
Friday, March 10, 2006. Freed from the boundaries of time and space, I coordinate any and all points of the universe, wherever I want them to be. My way leads toward the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you. DZIGA VERTOV, FILM DIRECTOR. Thursday, February 02, 2006. According to Tony Hiss, author of The Experience of Place.
Friday, February 17, 2006. Thursday, January 05, 2006. Thursday, November 24, 2005. Wednesday, November 23, 2005. Graffiti Wall, December 2005. These Lomo photographs were the initial docum.
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Agnes pierscieniak thesis process website. Sunday, March 26, 2006. What are the ways you create space? Ways of dealing withcreating space. Multifaceted space scale; near and far. Parallax multiple views of the same thing. Simultaneity two different things going on at the same time. I am moving and the optical picture plane is also moving. Compressing expanding time on the surface. Continuously building space; mobius. No beginning and no end. Windows adding a lens of vision. Commuter rail informal c.CONTENT
This web page agnesdocumentation.blogspot.com states the following, "Sunday, March 26, 2006." We saw that the webpage said " What are the ways you create space? Ways of dealing withcreating space." It also said " Multifaceted space scale; near and far. Parallax multiple views of the same thing. Simultaneity two different things going on at the same time. I am moving and the optical picture plane is also moving. Compressing expanding time on the surface. Continuously building space; mobius. No beginning and no end. Windows adding a lens of vision."SEEK SIMILAR DOMAINS
Wednesday, December 14, 2005. These are all short-term experiments to find out, what if? Next semester I plan on developing some of them, but for the time being, I concentrated on trying many different things. I attempted to initially go wide, and only later to zero in on whichever ones seem successful. Tuesday, December 06, 2005. Core Samples 10 In this final project I created another wax book which I gave away as tokens.
Friday, April 14, 2006. Thursday, April 13, 2006. Wednesday, March 15, 2006. Monday, March 13, 2006. So, the conversation kept changing subjects and times, navigating among past party stories, present goals of getting to Boston, and silly ideas for the future. People pass and I watch.
Tuesday, December 06, 2005. The original walls are painted into a new setting which both documents and transforms the vernacular language of street graffiti. This is a response to an actual site through formal transformation. Progression, transition, and transformation are evoked through shifts in color, which are evolving through sequential panels. The prints utilize both subtle and vibrant color juxtapositions, playing with different hues but similar values, a.
Thursday, March 5, 2015. The truth is that life is harder.
Tuesday, December 06, 2005. Through those projects, I created spaces dealing with the total inhabited experience. I saw the power of constructing an experiential environment and building space. During that process, I became aware that a building is a collection of multiple vantage points and simultaneous moments people experience through circulation and progression. Thursday, December 01, 2005.