80people blogspot.com

eightypeople

Http www.facebook.comgroup.php? 捌拾人 eigh type ople blogs. 2009年, 藝術史將進入新一頁, Nicholas Bourriaud, 法國當紅藝評家於 Tate Triennial 宣告 Altermodern 的誕生, 並指出當代藝術己脫離後現代處境, 現代主義以一種新的面貌登場. 其主旨為藝術應以全球為背景, 以旅遊作為新形式拓展的來源, 反對文化單一性及標準化. 八十年代出生的一代開始成為生產的重心, 而後現代討論依然與這一代香港人有着千絲萬縷的關係. 面對新舊多元價值交戰; 全球化消費主義引致的大眾生活指標及 Adorno 所謂的假個人主義; 國族身份危機; 資訊科技操縱; 人格裂成碎片.這一代人面對迷失和空虛是史無前例. 一場大海嘨再一次證明資本主資的荒誕, 說悲觀,其實不然, 香港封閉的社會結構下, 藝術到底還是要其發揮作用, 對抗機械化的理性思維. 但到底為缺乏歷史感, 政治意識和核心價值; 抑或是擺脫了上一代人面對的歷史束縳, 政治困局, 傳統價值. 誰敢判斷那種敘述是對是錯? 訂閱 文章 Atom.

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eightypeople

php? 捌拾人 eigh type ople blogs. 2009年, 藝術史將進入新一頁, Nicholas Bourriaud, 法國當紅藝評家於 Tate Triennial 宣告 Altermodern 的誕生, 並指出當代藝術己脫離後現代處境, 現代主義以一種新的面貌登場. 其主旨為藝術應以全球為背景, 以旅遊作為新形式拓展的來源, 反對文化單一性及標準化. 面對新舊多元價值交戰; 全球化消費主義引致的大眾生活指標及 Adorno 所謂的假個人主義; 國族身份危機; 資訊科技操縱; 人格裂成碎片. 一場大海嘨再一次證明資本主資的荒誕, 說悲觀,其實不然, 香港封閉的社會結構下, 藝術到底還是要其發揮作用, 對抗機械化的理性思維. 但到底為缺乏歷史感, 政治意識和核心價值; 抑或是擺脫了上一代人面對的歷史束縳, 政治困局, 傳統價值.

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Http www.facebook.comgroup.php? 捌拾人 eigh type ople blogs. 2009年, 藝術史將進入新一頁, Nicholas Bourriaud, 法國當紅藝評家於 Tate Triennial 宣告 Altermodern 的誕生, 並指出當代藝術己脫離後現代處境, 現代主義以一種新的面貌登場. 其主旨為藝術應以全球為背景, 以旅遊作為新形式拓展的來源, 反對文化單一性及標準化. 八十年代出生的一代開始成為生產的重心, 而後現代討論依然與這一代香港人有着千絲萬縷的關係. 面對新舊多元價值交戰; 全球化消費主義引致的大眾生活指標及 Adorno 所謂的假個人主義; 國族身份危機; 資訊科技操縱; 人格裂成碎片.這一代人面對迷失和空虛是史無前例. 一場大海嘨再一次證明資本主資的荒誕, 說悲觀,其實不然, 香港封閉的社會結構下, 藝術到底還是要其發揮作用, 對抗機械化的理性思維. 但到底為缺乏歷史感, 政治意識和核心價值; 抑或是擺脫了上一代人面對的歷史束縳, 政治困局, 傳統價值. 誰敢判斷那種敘述是對是錯? 訂閱 文章 Atom.

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This web page 80people.blogspot.com states the following, "php? 捌拾人 eigh type ople blogs." We saw that the webpage said " 2009年, 藝術史將進入新一頁, Nicholas Bourriaud, 法國當紅藝評家於 Tate Triennial 宣告 Altermodern 的誕生, 並指出當代藝術己脫離後現代處境, 現代主義以一種新的面貌登場." It also said " 其主旨為藝術應以全球為背景, 以旅遊作為新形式拓展的來源, 反對文化單一性及標準化. 面對新舊多元價值交戰; 全球化消費主義引致的大眾生活指標及 Adorno 所謂的假個人主義; 國族身份危機; 資訊科技操縱; 人格裂成碎片. 一場大海嘨再一次證明資本主資的荒誕, 說悲觀,其實不然, 香港封閉的社會結構下, 藝術到底還是要其發揮作用, 對抗機械化的理性思維. 但到底為缺乏歷史感, 政治意識和核心價值; 抑或是擺脫了上一代人面對的歷史束縳, 政治困局, 傳統價值."

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